{"id":4393,"date":"2020-07-08T09:26:17","date_gmt":"2020-07-08T09:26:17","guid":{"rendered":"http:\/\/www.detect-project.eu\/?page_id=4393"},"modified":"2021-07-07T08:25:09","modified_gmt":"2021-07-07T08:25:09","slug":"programme","status":"publish","type":"page","link":"https:\/\/www.detect-project.eu\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"[et_pb_section fb_built=”1″ disabled_on=”on|on|” _builder_version=”3.5.1″ custom_margin=”0px|0px|0px|0px” custom_padding=”0px|0px|0px|0px”][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_slider admin_label=”Spider desktop” _builder_version=”3.5.1″ custom_css_main_element=”max-height: 300px;”][et_pb_slide heading=”Detecting Europe in Contemporary Crime Narratives: Print Fiction, Film, and Television \u2013 Online International Conference” use_bg_overlay=”off” use_text_overlay=”on” text_overlay_color=”rgba(219,187,3,0.76)” arrows_custom_color=”#dbbb03″ dot_nav_custom_color=”#dbbb03″ _builder_version=”3.5.1″ header_font=”Trebuchet||||||||” header_text_color=”#000000″ header_font_size=”36px” header_font_size_tablet=”50px” header_font_size_phone=”50px” header_letter_spacing=”1px” header_letter_spacing_tablet=”1px” header_letter_spacing_phone=”1px” header_line_height=”1.1em” header_line_height_tablet=”1.1em” header_line_height_phone=”1.1em” body_text_color=”#000000″ body_font_size=”22px” body_font_size_tablet=”35px” body_font_size_phone=”35px” background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/07\/cover-detect2021.jpg” background_position=”bottom_left” button_on_hover=”on” text_orientation=”left” custom_padding=”60px|0px||” custom_padding_tablet=”60px|0px||” custom_padding_phone=”60px|0px||” text_shadow_style=”preset1″ custom_css_slide_container=”max-width: 80%;||margin-left: 20px;”]<\/p>\n
Programme<\/p>\n
[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” module_class=”arrows_home” _builder_version=”3.5.1″ background_color=”#000000″][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/06\/shape_frecce.png” _builder_version=”3.5.1″ max_width=”63%” custom_margin=”0px||0px|” custom_padding=”0px||0px|”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Detecting Europe in Contemporary Crime Narratives: Print Fiction, Film, and Television ” _builder_version=”3.5.1″ header_font=”Roboto|700|||||||” header_text_align=”left” header_text_color=”#daba09″ header_font_size=”14px” custom_margin=”10px||0px|” custom_padding=”0px||0px|”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”||on” _builder_version=”3.5.1″ custom_margin=”0px|0px|0px|0px” custom_padding=”0px|0px|0px|0px”][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” padding_top_1=”0px” padding_bottom_1=”0px” _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ padding_bottom=”0px” padding_top=”0px” parallax=”off” parallax_method=”on”][et_pb_slider admin_label=”Spider mobile” _builder_version=”3.5.1″ body_font=”||||||||” custom_css_main_element=”max-height: 300px;”][et_pb_slide heading=”Detecting Europe in Contemporary Crime Narratives: Print Fiction, Film, and Television \u2013 Online International Conference” use_bg_overlay=”off” use_text_overlay=”on” text_overlay_color=”rgba(219,187,3,0.76)” arrows_custom_color=”#dbbb03″ dot_nav_custom_color=”#dbbb03″ _builder_version=”3.5.1″ header_font=”Trebuchet||||||||” header_text_color=”#000000″ header_font_size=”18px” header_font_size_tablet=”36px” header_font_size_phone=”36px” header_letter_spacing=”1px” header_letter_spacing_tablet=”1px” header_letter_spacing_phone=”1px” header_line_height=”1.1em” header_line_height_tablet=”1.1em” header_line_height_phone=”1.1em” body_text_color=”#000000″ body_font_size=”13px” body_font_size_tablet=”26px” body_font_size_phone=”26px” background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/07\/cover-detect2021.jpg” parallax=”on” button_on_hover=”on” text_orientation=”left” custom_padding=”60px|0px||” custom_padding_tablet=”60px|0px||” custom_padding_phone=”60px|0px||” text_shadow_style=”preset1″ custom_css_slide_container=”max-width: 500px;||margin-left: 20px;”]<\/p>\n
Programme<\/p>\n
[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” module_class=”arrows_home” _builder_version=”3.5.1″ background_color=”#000000″][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/06\/shape_frecce.png” _builder_version=”3.5.1″ max_width=”63%” custom_margin=”0px||0px|” custom_padding=”0px||0px|”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Detecting Europe in Contemporary Crime Narratives: Print Fiction, Film, and Television ” _builder_version=”3.5.1″ header_font=”Roboto|700|||||||” header_text_align=”center” header_text_color=”#daba09″ header_font_size=”22px” text_orientation=”center” custom_margin=”10px||0px|” custom_padding=”0px||0px|”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”off|off|” module_class=”mobHam” _builder_version=”3.5.1″ background_color=”#dbbb03″][et_pb_fullwidth_menu menu_id=”66″ submenu_direction=”downwards” fullwidth_menu=”on” active_link_color=”#476399″ admin_label=”Menu Desk” module_class=”fullMen” _builder_version=”3.5.1″ menu_font_size=”16px” background_color=”#dbbb03″ text_orientation=”center”][\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ custom_margin=”||0px|” custom_padding=”20px||0px|”][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|on” _builder_version=”3.5.1″ background_color=”#dbbb03″ background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/07\/unsplash.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||0px|” custom_padding=”||0px|” filter_brightness=”120%” filter_contrast=”98%” top_divider_style=”asymmetric2″ top_divider_color=”#ffffff” bottom_divider_style=”arrow2″ bottom_divider_color=”#ffffff” bottom_divider_height=”64px” bottom_divider_flip=”horizontal” disabled=”on”][et_pb_row custom_padding=”70px||0px|” custom_margin=”||0px|” _builder_version=”3.5.1″ custom_css_main_element=”min-height: 300px;”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ custom_margin=”0px|||” custom_padding=”0px|||”][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n
Detecting Europe in Contemporary Crime Narratives:
Print Fiction, Film, and Television<\/p>\n<\/h1>\n
[\/et_pb_text][et_pb_text _builder_version=”3.5.1″]<\/p>\n
Online International Conference
21-23 June 2021
Link Campus University<\/h2>\n<\/h3>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.5.1″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n
Keynote Speakers<\/strong><\/p>\nTheo D\u2019haen\u00a0(Leuven University and Leiden University)
\u00a0<\/span>Janet McCabe\u00a0(Birkbeck, University of London)
\u00a0<\/span>Peppino\u00a0Ortoleva\u00a0(University of Turin)<\/p>\nConference <\/strong>Chairs<\/strong>: <\/strong>Monica Dall\u2019Asta (University of Bologna), Federico Pagello (D’Annunzio University of Chieti-Pescara), Valentina Re (Link Campus University)<\/p>\nAdvisory Board: <\/strong>Stefano Arduini (Link Campus University), Maurizio Ascari (University of Bologna), Jan Baetens (KU Leuven), Luca Barra (University of Bologna), Stefano Baschiera (Queen\u2019s University Belfast), Giulia Carluccio (University of Turin), Silvana Colella (University of Macerata), Caius Dobrescu (University of Bucharest), Andrea Esser (University of Roehampton), Nicola Ferrigni (Link Campus University), Katarina Gregersdotter (Ume\u00e5 University), Kim Toft Hansen (Aalborg University), Annette Hill (University of Lund), Dominique Jeannerod (Queen\u2019s University Belfast), Sandor Kalai (University of Debrecen), Matthieu Letourneux (University Paris Nanterre), Natacha Levet (University of Limoges), Giacomo Manzoli (University of Bologna), Janet McCabe (Birkbeck University), Jacques Migozzi (University of Limoges), Andrew Pepper (Queen\u2019s University Belfast), Marica Spalletta (Link Campus University)<\/p>\nOrganizing Committee:<\/strong> Luca Antoniazzi (University of Bologna), Sara Casoli (University of Bologna), Massimiliano Coviello (Link Campus University), Paola De Rosa (Link Campus University)<\/p>\nStudents Staff:<\/strong> Eleonora Mercuri, Nicola Pimpinella, Lavinia Sansone (Link Campus University, undergraduate degree programme in Film and Theatre Making)<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.5.1″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n
The conference is also supported\u00a0by\u00a0CUC \u2013 Consulta Universitaria del Cinema\u00a0<\/strong><\/a>and by PIC-AIS\u00a0\u2013 Associazione Italiana di Sociologia, Sezione Processi e Istituzioni Culturali<\/a>\u00a0<\/strong>(Italy).<\/p>\n\u00a0![\"\"](\"http:\/\/www.detect-project.eu\/wp-content\/uploads\/2021\/05\/partner-e1620753261257-300x88.png\")
<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.5.1″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″][\/et_pb_text][et_pb_text _builder_version=”3.5.1″]<\/p>\n
Conference overview<\/h2>\n
[\/et_pb_text][et_pb_toggle title=”Monday 21 June 2021″ open_toggle_text_color=”#e09900″ closed_toggle_text_color=”#e09900″ icon_color=”#e09900″ _builder_version=”3.5.1″]<\/p>\n
\n\n\n| \n Monday 21 June 2021<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n10:00-10:45am CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary Session<\/b><\/span><\/p>\nWelcome address and project presentation<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n10:45am-12:15pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary session\u00a0<\/b><\/span><\/p>\nKeynote speech<\/b><\/span><\/p>\nTheo D\u2019haen, KU Leuven<\/b><\/span><\/p>\nHow Glocal are Contemporary European Crime Narratives?<\/b><\/i><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Parallel session 1 <\/span><\/p>\n2.30-4:00pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C <\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A1: New Takes on Mediterranean Noir<\/b><\/span><\/p>\n<\/td>\n | \n Panel B1: New Takes on Nordic Noir<\/b><\/span><\/p>\n<\/td>\n | \n Panel C1: A Tale of Three Cities: Crime and the Urban Tissue in Contemporary Fiction<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Break<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Parallel session 2 <\/span><\/p>\n4:15-5:45pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A2: French Noir and the Transformations of European Crime Fiction<\/b><\/span><\/p>\n<\/td>\n | \n Panel B2: Crime Films and National Identities. The Case of Greece<\/b><\/span><\/p>\n<\/td>\n | \n Panel C2: The Black Rome. The Eternal City as Protagonist of Crime Narrative<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/et_pb_toggle][et_pb_toggle title=”Tuesday 22 June 2021″ open_toggle_text_color=”#e09900″ closed_toggle_text_color=”#e09900″ icon_color=”#e09900″ _builder_version=”3.5.1″]<\/p>\n \n\n\n| \n Parallel session 3 <\/span><\/p>\n9:00-10:30am CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A3: Crime Narratives: A Crossborder Perspective<\/b><\/span><\/p>\n<\/td>\n | \n Panel B3: Crime Narratives, Periphery and Multiculturalism<\/b><\/span><\/p>\n<\/td>\n | \n Panel C3: The Geography of Crime Fiction: Local \/ Global<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Break<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Parallel session 4 <\/span><\/p>\n10:45am-12:15pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A4: Crime Narratives: a Transmedia Perspective<\/b><\/span><\/p>\n<\/td>\n | \n Panel B4: New Takes on the Police Procedural<\/b><\/span><\/p>\n<\/td>\n | \n Panel C4: Crime Narratives and Ecocriticism<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Parallel session 5 <\/span><\/p>\n2:00-3:30pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A5: Crime Narratives and Politics<\/b><\/span><\/p>\n<\/td>\n | \n Panel B5: Crime Narratives and Gender<\/b><\/span><\/p>\n<\/td>\n | \n Panel C5: Netflix and the Popularity of TV Crime Drama<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Break<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n3:45-5:00pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary session 3<\/b><\/span><\/p>\nKeynote speech<\/b><\/span><\/p>\nJanet McCabe, Birkbeck, University of London<\/b><\/span><\/p>\nDivided Bodies, Crossings Borders, Transnational Encounters: Towards a Feminist Approach of Transnational TV Studies<\/b><\/i><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Parallel session 6<\/span><\/p>\n5:00-6:30pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B<\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A6: Crime Films and Transnationalism<\/b><\/span><\/p>\n<\/td>\n | \n Panel B6: The Other in TV Crime Dramas <\/b><\/span><\/p>\n<\/td>\n | \n Panel C6: Generic and Narrative Hybridity in European Crime Television<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n[\/et_pb_toggle][et_pb_toggle title=”Wednesday 23 June 2021″ open_toggle_text_color=”#e09900″ closed_toggle_text_color=”#e09900″ icon_color=”#e09900″ _builder_version=”3.5.1″]<\/p>\n \n\n\n| \n Parallel session 7 <\/span><\/p>\n9:00-10:30am CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n<\/td>\n | \n Room B <\/span><\/p>\n<\/td>\n | \n Room C<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Panel A7: The Foreigner in Crime Fiction<\/b><\/span><\/p>\n<\/td>\n | \n Panel B7: The Geography of TV Crime Dramas: Local \/ Global<\/b><\/span><\/p>\n\n<\/td>\n | \n Panel C7: The Contribution of Digital Humanities to Cultural Studies Research <\/b><\/span><\/p>\nRoundtable: The Challenges of Digital Humanities to Cultural Studies Research, a Face-to-Face Debate<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Break<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n10:45am-12:15pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary session 4 <\/b><\/span><\/p>\nCrime, Creative Industries and Contemporary European Media Policies<\/b><\/span><\/p>\n\n<\/td>\n<\/tr>\n \n| \n Room A<\/span><\/p>\n2:30-3:45pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary session 5<\/b><\/span><\/p>\nKeynote speech<\/b><\/span><\/p>\nPeppino Ortoleva, University of Turin<\/b><\/span><\/p>\nIn the Beginning Was a Murder. The Changing Meanings, and Pleasures, of Crime<\/b><\/i><\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Break<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Room A<\/span><\/p>\n4:00-5:30pm CET<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n Plenary session 6<\/b><\/span><\/p>\nConcluding round table<\/b><\/span><\/p>\nResearch Impact in the Humanities: New Directions<\/b><\/i><\/span><\/p>\n\n<\/td>\n<\/tr>\n \n| \n Room A<\/span><\/p>\n | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |