{"id":4059,"date":"2020-03-16T09:56:34","date_gmt":"2020-03-16T09:56:34","guid":{"rendered":"http:\/\/www.detect-project.eu\/?p=4059"},"modified":"2020-03-16T14:07:18","modified_gmt":"2020-03-16T14:07:18","slug":"criminal-netflix","status":"publish","type":"post","link":"https:\/\/www.detect-project.eu\/2020\/03\/16\/criminal-netflix\/","title":{"rendered":"Europe in one room"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”on|on|off” module_class=”hero-section” _builder_version=”3.5.1″ background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/03\/criminal_autunno_2019_netflix.jpg” custom_margin=”0px|||” custom_padding=”0px|||” custom_css_main_element=”max-height: 400px;”][et_pb_fullwidth_post_title featured_image=”off” _builder_version=”3.5.1″ title_font=”Roboto||||||||” title_text_color=”#ffffff” title_font_size=”38px” meta_font=”Trebuchet||||||||” meta_text_color=”#ffffff” meta_font_size=”14px” background_color=”rgba(0,0,0,0.5)” text_orientation=”center” custom_padding=”||120px|” filter_sepia=”1%” animation_style=”fold” custom_css_post_image=”margin-top: -190px;”][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”off|off|on” module_class=”hero-section” _builder_version=”3.5.1″ background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/03\/criminal_autunno_2019_netflix.jpg” custom_margin=”0px|||” custom_padding=”0px|||” custom_css_main_element=”max-height: 400px;”][et_pb_fullwidth_post_title featured_image=”off” _builder_version=”3.5.1″ title_font=”Roboto||||||||” title_text_color=”#ffffff” title_font_size=”32px” meta_font=”Trebuchet||||||||” meta_text_color=”#ffffff” meta_font_size=”12px” background_color=”rgba(0,0,0,0.5)” text_orientation=”center” custom_padding=”||120px|” filter_sepia=”1%” animation_style=”fold” custom_css_post_image=”margin-top: -190px;”][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”3.5.1″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_row_inner admin_label=”Riga” _builder_version=”3.0.47″][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/03\/criminal-uk-netflix.jpg” _builder_version=”3.5.1″ border_width_all=”12px” border_color_all=”#ffffff” box_shadow_style=”preset2″ custom_margin=”-140px|||”][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Criminal ” _builder_version=”3.5.1″ header_font=”Roboto|300|||||||” header_text_color=”#476399″ header_font_size=”16px” body_font=”Roboto||||||||” body_text_color=”rgba(0,0,0,0.6)” body_font_size=”12px” border_width_top=”2px” border_color_top=”#dbbb03″ custom_padding=”10px||30px|”]<\/p>\n

The Netflix police procedural is an anthology developed in four chapters, each centred on one different European country.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”3.5.1″ custom_margin=”0px|||” custom_padding=”0px|||”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_row_inner custom_padding=”0px||0px|” admin_label=”Riga” _builder_version=”3.5.1″ custom_margin=”||0px|”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n

What does exactly make the tv series Criminal <\/em>(Netflix, 2019) an interesting key to understand the transformations of crime fiction genre in the European scenario?<\/h3>\n

Massimiliano Coviello<\/strong> (Link Campus University)<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=”0px|||” admin_label=”Riga” _builder_version=”3.5.1″][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n

 <\/p>\n

Though being filmed in Netflix Studios set in Madrid, Criminal has been created by English showrunners George Kay and Jim Field Smith who embarked themselves in the unusual mission to coordinate four different crews of directors, screenwriters and as many casts of actors, each pertaining to every country involved in the project.<\/p>\n

Distribution replicates and multiplies production’s geographical variety. Criminal<\/em> is in fact a ‘series of series’, an anthology developed in four chapters, each centred on one different country \u2013 Criminal: France<\/em>, Criminal: Germany<\/em>, Criminal: Spain<\/em>, Criminal: UK<\/em> \u2013 and twelve episodes in total, each of one titled with the name of the suspect. Netflix has strategically enhanced this peculiar format through different poster visualizations, through which subscribers can access and watch the three episodes of each country-based anthology.<\/p>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=”3.5.1″][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_video src=”https:\/\/youtu.be\/aAZac21Y9D8″ _builder_version=”3.5.1″][\/et_pb_video][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=”0px||0px|” admin_label=”Riga” _builder_version=”3.5.1″ custom_margin=”0px||0px|”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n

Drawing on different strategies, the peculiarities concerning production and distribution processes, as well as format’s, are mainly articulated through the narrative structure of the series. All the episodes are set inside the same police station and revolve around the interrogation of the suspect. The choice to include ‘local’ actors \u2013 as mentioned, each cast being different for every country, for each anthology \u2013 along with the high quality of their acting skills, contribute to successfully relocate the different series into their specific national horizon.<\/p>\n

Finally, many of the fictional investigations at the centre of the episodes, are deeply connected to contemporary political and social issues, like the exploitation of illegal migrants, pedophilia, femminicide, domestic violence, deaths at work. European communities are troubled not only by their angst and worries, but also by collective traumas related to notorious terrorist attacks (Bataclan concert hall massacre inspires the first episode of Criminal: France<\/em>) and historical events that marked Europe’s history and identity at the end of the last century (as does the Berlin wall in the first episode of Criminal: Germany<\/em>).<\/p>\n

Read the full article in Italian on Fata Morgana Web<\/a>.<\/p>\n

[\/et_pb_text][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/03\/19-38-2703-1014×570.jpg” _builder_version=”3.5.1″][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Details” _builder_version=”3.5.1″ header_font=”Roboto|300|||||||” header_text_color=”#476399″ header_font_size=”16px” body_font=”Roboto||||||||” body_text_color=”rgba(0,0,0,0.6)” body_font_size=”12px” border_width_top=”2px” border_color_top=”#dbbb03″ custom_margin=”30px|||” custom_padding=”10px|||”]Created by: George Kay e Jim Field Smith; Production: Idiotlamp Productions;
\nCountries of origin: France, Germany, Spain, UK;
\nOriginal release:\t20 September 2019.
\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ custom_margin=”0px||0px|” custom_padding=”0px||0px|”][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_divider height=”13px” _builder_version=”3.5.1″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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