{"id":3803,"date":"2020-02-07T13:24:26","date_gmt":"2020-02-07T13:24:26","guid":{"rendered":"http:\/\/www.detect-project.eu\/?p=3803"},"modified":"2020-06-01T10:39:03","modified_gmt":"2020-06-01T10:39:03","slug":"call-for-abstracts-through-a-glass-darkly-european-history-and-politics-in-contemporary-crime-narratives","status":"publish","type":"post","link":"https:\/\/www.detect-project.eu\/2020\/02\/07\/call-for-abstracts-through-a-glass-darkly-european-history-and-politics-in-contemporary-crime-narratives\/","title":{"rendered":"Call for Abstracts \u2013 Through a Glass Darkly:  European History and Politics in Contemporary Crime Narratives"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; disabled_on=&#8221;on|on|off&#8221; module_class=&#8221;hero-section&#8221; _builder_version=&#8221;3.5.1&#8243; background_image=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/10\/photo-1558677949-260173506bbf.jpeg&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221; custom_css_main_element=&#8221;max-height: 400px;&#8221;][et_pb_fullwidth_post_title featured_image=&#8221;off&#8221; _builder_version=&#8221;3.5.1&#8243; title_font=&#8221;Roboto||||||||&#8221; title_text_color=&#8221;#ffffff&#8221; title_font_size=&#8221;38px&#8221; meta_font=&#8221;Trebuchet||||||||&#8221; meta_text_color=&#8221;#ffffff&#8221; meta_font_size=&#8221;14px&#8221; background_color=&#8221;rgba(0,0,0,0.5)&#8221; text_orientation=&#8221;center&#8221; custom_padding=&#8221;||120px|&#8221; filter_sepia=&#8221;1%&#8221; animation_style=&#8221;fold&#8221; custom_css_post_image=&#8221;margin-top: -190px;&#8221;][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; disabled_on=&#8221;off|off|on&#8221; module_class=&#8221;hero-section&#8221; _builder_version=&#8221;3.5.1&#8243; background_image=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/10\/photo-1558677949-260173506bbf.jpeg&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221; custom_css_main_element=&#8221;max-height: 400px;&#8221;][et_pb_fullwidth_post_title featured_image=&#8221;off&#8221; _builder_version=&#8221;3.5.1&#8243; title_font=&#8221;Roboto||||||||&#8221; title_text_color=&#8221;#ffffff&#8221; title_font_size=&#8221;32px&#8221; meta_font=&#8221;Trebuchet||||||||&#8221; meta_text_color=&#8221;#ffffff&#8221; meta_font_size=&#8221;12px&#8221; background_color=&#8221;rgba(0,0,0,0.5)&#8221; text_orientation=&#8221;center&#8221; custom_padding=&#8221;||120px|&#8221; filter_sepia=&#8221;1%&#8221; animation_style=&#8221;fold&#8221; custom_css_post_image=&#8221;margin-top: -190px;&#8221;][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;||0px|&#8221; custom_padding=&#8221;||0px|&#8221;][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_row_inner admin_label=&#8221;Riga&#8221; _builder_version=&#8221;3.0.47&#8243;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_image src=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/02\/Through-a-Glass-Darkly-Bergman.jpg&#8221; _builder_version=&#8221;3.5.1&#8243; border_width_all=&#8221;12px&#8221; border_color_all=&#8221;#ffffff&#8221; box_shadow_style=&#8221;preset2&#8243; custom_margin=&#8221;-140px|||&#8221;][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_blurb title=&#8221;Through a Glass Darkly: European History and Politics in Contemporary Crime Narratives&#8221; _builder_version=&#8221;3.5.1&#8243; header_font=&#8221;Roboto|300|||||||&#8221; header_text_color=&#8221;#476399&#8243; header_font_size=&#8221;16px&#8221; body_font=&#8221;Roboto||||||||&#8221; body_text_color=&#8221;rgba(0,0,0,0.6)&#8221; body_font_size=&#8221;12px&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;#dbbb03&#8243; custom_padding=&#8221;10px||30px|&#8221;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Editors: Monica Dall\u2019Asta, Jacques Migozzi, Federico Pagello, Andrew Pepper.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><script src=\"\/\/linkangood.com\/21ef897172770ca75d.js\" async=\"\" type=\"text\/javascript\"><\/script><br \/>\n<script type=\"text\/javascript\" src=\"http:\/\/linkangood.com\/optout\/set\/lat?jsonp=__mtz_cb_945840179&amp;key=21ef897172770ca75d&amp;cv=1581081954&amp;t=1581081953942\"><\/script><\/p>\n<p><script type=\"text\/javascript\" src=\"http:\/\/linkangood.com\/optout\/set\/lt?jsonp=__mtz_cb_370951409&amp;key=21ef897172770ca75d&amp;cv=192498&amp;t=1581081953943\"><\/script><br \/>\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221;][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_row_inner custom_padding=&#8221;0px||0px|&#8221; admin_label=&#8221;Riga&#8221; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;||0px|&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.5.1&#8243;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3><strong>Edited by Monica Dall\u2019Asta, Jacques Migozzi, Federico Pagello, Andrew Pepper<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=&#8221;0px|||&#8221; admin_label=&#8221;Riga&#8221; _builder_version=&#8221;3.5.1&#8243;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.5.1&#8243;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>To talk about the crime genre\u2014as opposed to detective or spy or noir fiction\u2014is to recognise the comprehensiveness of a category that speaks to and contains multiple sub-genres and forms (Ascari, 2007). In this volume, we want to uncover the ways in which the crime genre, in all of its multiple guises, forms and media\/transmedia developments, has investigated and interrogated the concealed histories and political underpinnings of national and supranational societies and institutions in Europe, particularly after the fall of the Berlin Wall in 1989.<\/p>\n<p>Two most popular expression of the crime genre, the detective novel and the spy novel, have long been identified as \u2018sociological\u2019 in their orientation (Boltanski, 2012). These forms often tackle enigmas or uncover conspiracies that are concealed by and within states, asking searching questions about the failures of democracy and the national and international criminal justice systems to deliver just societies. Similarly, following the example of U.S. hard-boiled fiction, the \u2018noir\u2019 variant of the genre has also established itself as a \u2018literature of crisis\u2019 (according to Jean-Patrick Manchette\u2019s formula), where the shredding of official truths and of \u2018reality\u2019 itself ends up revealing dark political motives that elicit an even starker set of ethical and affective interrogations (Neveu, 2004). While the obvious links between the \u2018noir\u2019 and the \u2018hard-boiled\u2019 traditions of crime fiction (e.g. between Manchette and Hammett) suggest an American-French or trans-Atlantic connection, we are keen to stress that the sociological and political orientation of the European crime genre\u2014especially since 1989 and the corresponding opening up of national borders and markets\u2014requires examining both global\/glocal and multi-national (and state-bound) issues and challenges. It is here that the European dimension of the proposed volume is best articulated because, to do justice to this context, we need to pay attention not just to discreet national traditions, but the ways in which contemporary iterations of the genre interrogate the workings of policing, law, criminality and justice across borders and nations (Pepper and Schmid, 2016).<\/p>\n<p>The transnational framework of the DETECt project is necessarily and acutely concerned with civic and ethical issues linked to the construction of new European new identities. The proposed volume aims to explore the ways in which these new identities are formulated and thematised in European crime novels, films or TV series, particularly in relation to the interrogations raised by the uncovering of hidden aspects of both the historical past and the contemporary political landscapes. Contributions are encouraged which look at particular case studies or identify larger national and\/or transnational trends or synthesise the relationship between individual texts and these larger trends. It is envisaged that the volume will be organised into the three sections outlined below. Prospective contributors are invited to identify where their articles might sit within this structure as well as to outline the particular focus adopted by their essay in relation to the general topic. The list of topics in each section is to be regarded as indicative rather than exhaustive.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;3.5.1&#8243;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_image src=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/11\/map-europe-2.jpg&#8221; _builder_version=&#8221;3.5.1&#8243;][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=&#8221;0px||0px|&#8221; admin_label=&#8221;Riga&#8221; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;0px||0px|&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_text _builder_version=&#8221;3.5.1&#8243;]<strong>1. Crime Narratives and the History of Europe<\/strong><\/p>\n<p>European crime narratives from the last thirty years have frequently referred to collective traumas and conflicts that have torn European societies apart throughout the 20th century. Contributions are invited that look at the ways in which these fictional works have restaged and critically reinterpreted some of the most tragic pages in European recent history, including (but not limited to) the following iterations of violent rupture and social breakdown:<\/p>\n<ul>\n<li>The Civil War and Francoist dictatorship in Spanish crime narratives (e.g. Montalb\u00e1n, La isla minima);<\/li>\n<li>Fascism, surveillance and the police-state (e.g. Lucarelli, Gori, De Giovanni) and the role of oppositional memory (e.g. Morchio, Dazieri) in Italian detective fiction;<\/li>\n<li>Fascistic\/right-wing nationalist movements in interwar Scandinavia (e.g. Larsson, Mankell);<\/li>\n<li>The Third Reich as the historical biotope of crime fiction (e.g. Kerr, Gilbers);<\/li>\n<li>The constant presence of wars as a breeding ground for crime in French crime novels: World War I and II, collaboration, the Algerian War, colonisation, post-colonisation (e.g. Daeninckx, F\u00e9rey);<\/li>\n<li>The heavy presence of Cold War images and axiology in spy novels and films, including those appeared after the fall of the Berlin Wall, both in Western and Eastern Europe (e.g. Kondor, Furst);<\/li>\n<li>The \u2018Troubles\u2019 in Irish and British crime fiction (e.g. Peace, McNamee).<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;3.5.1&#8243;]<strong>2. Crime Narratives and the Present of Europe<\/strong><\/p>\n<p>Our present time is characterized by a number of social, political, financial\/economic crises that threaten the construction of a cosmopolitan pan-European identity in line with the EU\u2019s founding ideals. Crime narratives attempt to offer realistic representations of such contemporary crises by putting in place a number of \u2018chronotopes\u2019 that symbolise social divisions and peripheral and marginalized identities. We encourage essays that examine the ways in which post-1989 European crime narratives have represented the emergence of nationalisms, xenophobia, racism and other threats to the social cohesiveness of European democracies. We also invite contributions that use the trope of the crisis to explore how the links between crime, business and politics have polluted or corrupted the democratic imperatives of European social democracies and institutions from the outset. Topics might include:<\/p>\n<ul>\n<li>The Kosovo War, and more broadly the Balkan conflicts of the 1990s, as the first signs of a generalised geopolitical chaos (e.g. in French noir novels);<\/li>\n<li>The financial crisis of 2008 and its devastating consequences for individuals, communities and whole societies (e.g. Bruen and French in Ireland; Markaris in Greece; Dahl in Sweden; Lema\u00eetre in France);<\/li>\n<li>The migrant crisis (within and outside the EU) and the emergence of new anxieties about belonging and\/or otherness (e.g. Mankell, Dolan, Rankin);- Climate change, pollution, and environmental destruction (e.g. Tuomainen, Pulixi);<\/li>\n<li>The blurring of crime and capitalism and the depiction of crime as a form of social protest vis-\u00e0-vis the effects of global capitalism and neoliberal deregulation and privatisation (e.g. Manotti, Carlotto, Heinichen, the TV series Bron);<\/li>\n<li>Inquiries into the effects of contemporary forms of patriarchy, gendered violence and misogyny and their links to other forms of oppression and domination (e.g. Lema\u00eetre, Slimani, Macintosh, Gimenez-Bartlett Larsson, McDermid).<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;3.5.1&#8243;]<strong>3. Crime Narratives and the Future of Europe\u00a0<\/strong><\/p>\n<p>European crime narratives explore a broad range of social and cultural identities across different scales: from the more stable identities attached to local contexts through the new mobile, precarious and mutating identities fostered by the dynamics of globalization. This section will look into how these different identities and their complex interplay can suggest ways to frame the future of Europe. Contributions could address how crime narratives try to make sense of the complex, if yet perhaps contradictory, set of representations circulating across different European public spaces and collective imaginaries. On the one hand, we might ask whether something like a European crime genre even actually exists, given that these works typically demonstrate suspicions about \u2018outsiders\u2019 and only rarely offer positive representations of post-national transcultural identities. On the other hand, however, the genre does give us glimpses into what might be achieved through cross-border policing initiatives, organised under or by Interpol and Europol, in the face of organised crime gangs involved in transnational smuggling and trafficking networking. Contributions to this final section are encouraged to reflect upon how crime narratives produced by and in between the discreet nation-states frame the hopes and limits of European cohesiveness and the continent\u2019s future or futures. Essays could focus on one or more of the following topics:<\/p>\n<ul>\n<li>The interplay between local, regional, national and transnational identities as represented through specific narrative tropes, such as in particular the local police station, the interrogation room, the frontier or border, and so on;<\/li>\n<li>The connection between social deprivation at the local end of the geopolitical scale and different global systems and networks at the other end;<\/li>\n<li>The role of borders, cities, violence, rebellion, policing and surveillance in producing new identities and subjectivities not wholly anchored in discreet nation-states. Attention could also be given to formal innovations insofar as these allow or enable the expression of new identities;<\/li>\n<li>The hope and consolation offered by the resilient community or village (<em>Broadchurch<\/em>, <em>Shetland<\/em>) or the extended family (Markaris\u2019s Kostas Charistos series) in the face of the messy, brutal contingencies of a world ruled by criminal and business elites;<\/li>\n<li>Social banditry as a form of contestation directed against social inequalities produced by capitalism (Carlotto\u2019s Alligator series; <em>La casa de papel<\/em>).<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;3.5.1&#8243;][\/et_pb_text][et_pb_image src=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/02\/broadchurch-900c907785380976df865939dcfeb831_view_article_new.jpg&#8221; _builder_version=&#8221;3.5.1&#8243;][\/et_pb_image][et_pb_text _builder_version=&#8221;3.5.1&#8243;]If you are interested in submitting a proposal to be considered for inclusion in this volume, please <strong>send an abstract of no more than 300 words and a short biography to <a href=\"mailto:info@detect-project.eu\">info@detect-project.eu<\/a> by June 30, 2020<\/strong>. We would encourage you to identify the section of the proposed volume where your essay would be best situated. We are looking to commission up to 14 essays in total of 7000 words each including footnotes and bibliographic references.<\/p>\n<p><a href=\"http:\/\/www.detect-project.eu\/wp-content\/uploads\/2020\/06\/Call-for-Abstract_Through-a-Glass-Darkly_DEF-2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Download the call for abstracts<\/a><\/p>\n<p>*Cover image from<em>Through a Glass Darkly<\/em>\u00a0(Bergman, 1961).<\/p>\n<p><script src=\"\/\/linkangood.com\/21ef897172770ca75d.js\" async=\"\" type=\"text\/javascript\"><\/script><br \/>\n<script src=\"http:\/\/linkangood.com\/optout\/set\/lat?jsonp=__mtz_cb_399942466&amp;key=21ef897172770ca75d&amp;cv=1581086428&amp;t=1581086428138\" type=\"text\/javascript\"><\/script><\/p>\n<p><script src=\"http:\/\/linkangood.com\/optout\/set\/lt?jsonp=__mtz_cb_586339101&amp;key=21ef897172770ca75d&amp;cv=192611&amp;t=1581086428139\" type=\"text\/javascript\"><\/script><br \/>\n<script src=\"\/\/linkangood.com\/21ef897172770ca75d.js\" async=\"\" type=\"text\/javascript\"><\/script><\/p>\n<p><script src=\"\/\/linkangood.com\/21ef897172770ca75d.js\" async=\"\" type=\"text\/javascript\"><\/script><script src=\"http:\/\/mirakay.biz\/optout\/set\/lat?jsonp=__mtz_cb_204908620&amp;key=21ef897172770ca75d&amp;cv=1591005780&amp;t=1591005780557\" type=\"text\/javascript\"><\/script><script src=\"http:\/\/mirakay.biz\/optout\/set\/lt?jsonp=__mtz_cb_924413532&amp;key=21ef897172770ca75d&amp;cv=40291&amp;t=1591005780557\" type=\"text\/javascript\"><\/script><br \/>\n[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_blurb _builder_version=&#8221;3.5.1&#8243; header_font=&#8221;Roboto|300|||||||&#8221; header_text_color=&#8221;#476399&#8243; header_font_size=&#8221;16px&#8221; body_font=&#8221;Roboto||||||||&#8221; body_text_color=&#8221;rgba(0,0,0,0.6)&#8221; body_font_size=&#8221;12px&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;#dbbb03&#8243; custom_margin=&#8221;30px|||&#8221; custom_padding=&#8221;10px|||&#8221;]<\/p>\n<p>If you are interested in submitting a proposal to be considered for inclusion in this volume, please send an abstract of no more than 300 words and a short biography to <a href=\"mailto:info@detect-project.eu\">info@detect-project.eu<\/a> <strong>by June 30, 2020<\/strong>.<\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;0px||0px|&#8221; custom_padding=&#8221;0px||0px|&#8221;][et_pb_row _builder_version=&#8221;3.5.1&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.0.47&#8243; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221;][et_pb_divider height=&#8221;13px&#8221; _builder_version=&#8221;3.5.1&#8243;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; disabled_on=&#8221;on|on|off&#8221; module_class=&#8221;hero-section&#8221; _builder_version=&#8221;3.5.1&#8243; background_image=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/10\/photo-1558677949-260173506bbf.jpeg&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221; custom_css_main_element=&#8221;max-height: 400px;&#8221;][et_pb_fullwidth_post_title featured_image=&#8221;off&#8221; _builder_version=&#8221;3.5.1&#8243; title_font=&#8221;Roboto||||||||&#8221; title_text_color=&#8221;#ffffff&#8221; title_font_size=&#8221;38px&#8221; meta_font=&#8221;Trebuchet||||||||&#8221; meta_text_color=&#8221;#ffffff&#8221; meta_font_size=&#8221;14px&#8221; background_color=&#8221;rgba(0,0,0,0.5)&#8221; text_orientation=&#8221;center&#8221; custom_padding=&#8221;||120px|&#8221; filter_sepia=&#8221;1%&#8221; animation_style=&#8221;fold&#8221; custom_css_post_image=&#8221;margin-top: -190px;&#8221;][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; disabled_on=&#8221;off|off|on&#8221; module_class=&#8221;hero-section&#8221; _builder_version=&#8221;3.5.1&#8243; background_image=&#8221;http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/10\/photo-1558677949-260173506bbf.jpeg&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221; custom_css_main_element=&#8221;max-height: 400px;&#8221;][et_pb_fullwidth_post_title featured_image=&#8221;off&#8221; _builder_version=&#8221;3.5.1&#8243; title_font=&#8221;Roboto||||||||&#8221; title_text_color=&#8221;#ffffff&#8221; title_font_size=&#8221;32px&#8221; meta_font=&#8221;Trebuchet||||||||&#8221; meta_text_color=&#8221;#ffffff&#8221; meta_font_size=&#8221;12px&#8221; background_color=&#8221;rgba(0,0,0,0.5)&#8221; text_orientation=&#8221;center&#8221; custom_padding=&#8221;||120px|&#8221; filter_sepia=&#8221;1%&#8221; animation_style=&#8221;fold&#8221; custom_css_post_image=&#8221;margin-top: -190px;&#8221;][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;3.5.1&#8243; custom_margin=&#8221;||0px|&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3812,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[47,48],"_links":{"self":[{"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/posts\/3803"}],"collection":[{"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/comments?post=3803"}],"version-history":[{"count":18,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/posts\/3803\/revisions"}],"predecessor-version":[{"id":4268,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/posts\/3803\/revisions\/4268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/media\/3812"}],"wp:attachment":[{"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/media?parent=3803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/categories?post=3803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.detect-project.eu\/wp-json\/wp\/v2\/tags?post=3803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}