{"id":3585,"date":"2019-11-04T18:56:45","date_gmt":"2019-11-04T18:56:45","guid":{"rendered":"http:\/\/www.detect-project.eu\/?p=3585"},"modified":"2019-11-04T18:56:45","modified_gmt":"2019-11-04T18:56:45","slug":"call-for-abstracts-glocality-and-cosmopolitanism-in-european-crime-narratives","status":"publish","type":"post","link":"https:\/\/www.detect-project.eu\/2019\/11\/04\/call-for-abstracts-glocality-and-cosmopolitanism-in-european-crime-narratives\/","title":{"rendered":"Call For Abstracts: Glocality and Cosmopolitanism in European Crime Narratives"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”on|on|off” module_class=”hero-section” _builder_version=”3.5.1″ background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/07\/ar3.jpg” custom_margin=”0px|||” custom_padding=”0px|||” custom_css_main_element=”max-height: 400px;”][et_pb_fullwidth_post_title featured_image=”off” _builder_version=”3.5.1″ title_font=”Roboto||||||||” title_text_color=”#ffffff” title_font_size=”38px” meta_font=”Trebuchet||||||||” meta_text_color=”#ffffff” meta_font_size=”14px” background_color=”rgba(0,0,0,0.5)” text_orientation=”center” custom_padding=”||120px|” filter_sepia=”1%” animation_style=”fold” custom_css_post_image=”margin-top: -190px;”][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”off|off|on” module_class=”hero-section” _builder_version=”3.5.1″ background_image=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/07\/ar3.jpg” custom_margin=”0px|||” custom_padding=”0px|||” custom_css_main_element=”max-height: 400px;”][et_pb_fullwidth_post_title featured_image=”off” _builder_version=”3.5.1″ title_font=”Roboto||||||||” title_text_color=”#ffffff” title_font_size=”32px” meta_font=”Trebuchet||||||||” meta_text_color=”#ffffff” meta_font_size=”12px” background_color=”rgba(0,0,0,0.5)” text_orientation=”center” custom_padding=”||120px|” filter_sepia=”1%” animation_style=”fold” custom_css_post_image=”margin-top: -190px;”][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”3.5.1″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_row_inner admin_label=”Riga” _builder_version=”3.5.1″][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/11\/Glocality-Cosmopolitanism.jpeg” alt=”%22Borgen%22 (Dk 2010-2013)” title_text=”%22Borgen%22 (Dk 2010-2013)” _builder_version=”3.5.1″ border_width_all=”12px” border_color_all=”#ffffff” box_shadow_style=”preset2″ custom_margin=”-140px|||”][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Glocality and Cosmopolitanism in European Crime Narratives” _builder_version=”3.5.1″ header_font=”Roboto|300|||||||” header_text_color=”#476399″ header_font_size=”16px” body_font=”Roboto||||||||” body_text_color=”rgba(0,0,0,0.6)” body_font_size=”12px” border_width_top=”2px” border_color_top=”#dbbb03″ custom_padding=”10px||30px|”]<\/p>\n

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Academic Quarter<\/em> #22, 2020<\/span><\/u><\/u><\/div>\n
Guest Editors: <\/span><\/div>\n
Monica Dall\u2019Asta (Bologna)<\/span><\/div>\n
Natacha Levet (Limoges)<\/span><\/div>\n
Federico Pagello (Bologna)<\/span><\/div>\n
Deadline: January 15, 2020<\/span><\/div>\n
Download the CFA<\/a><\/span><\/div>\n<\/div>\n<\/div>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”3.5.1″ custom_margin=”0px|||” custom_padding=”0px|||”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_row_inner custom_padding=”0px||0px|” admin_label=”Riga” _builder_version=”3.5.1″ custom_margin=”||0px|”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″] Since the fall of the Berlin Wall in 1989, the European crime narrative genre has represented the consequences of globalization in ways that have often involved the treatment of space and place. The new transnational configuration of the world\u2019s geography \u2014 imposed by such powerful systemic factors as global trade, connective technologies, and the movement of large masses of people across different boundaries \u2014 has fueled a variegated debate over the notion of transculturalism. What has been called \u201cthe cosmopolitan turn\u201d in the social and political sciences (Beck 2006) resonates in the research agendas of many contemporary approaches to European literature (Dom\u00ednguez & d’Haen 2015), film (Eleftheriotis 2012; Mulvey, Rascaroli, Saldanha 2017) and television (Chalaby 2009; Bondebjerg 2016). This happens at a time of increased cooperation and integration among a variety of traditional and digital media, all allied to obtain, through seriality and transmediality, an augmented illusion of complex fictional worlds. [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=”0px|||” admin_label=”Riga” _builder_version=”3.5.1″][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”http:\/\/www.detect-project.eu\/wp-content\/uploads\/2019\/11\/network.jpeg” alt=”Niklas Luhmann (1927-1988). Source: Wikipedia” title_text=”Niklas Luhmann (1927-1988). Source: Wikipedia” show_in_lightbox=”on” _builder_version=”3.5.1″ box_shadow_style=”preset2″ custom_margin=”30px|||”][\/et_pb_image][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n

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This issue of\u00a0Academic Quarter<\/a>\u00a0<\/i>aims at interrogating the ways in which current cultural experiences of glocalisation (Roudometof 2016), translocality (Greiner and Sakdapolrak 2013), transnational mobility and cosmopolitan networking have affected both place-specific production cultures and genre-specific representations of space and place in contemporary European crime novels, films and television series. We welcome proposals from different methodological perspectives that interrogate the intersection of local, national, regional and supranational agencies, cultures and identities in the creation of popular crime stories. Contributors should be aware of the post-Kantian, post-national\/postcolonial frame (Mellino 2005) that forms the context for contemporary definitions of \u201ccritical cosmopolitanism\u201d (Delanty 2006; Rumford 2008) and \u201ccritical transculturalism\u201d (Kraidy 2005). At the same time, we welcome proposals focusing on the representation of Europe, European geography, European landscapes and European architecture.\u00a0<\/span><\/div>\n
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A few general questions may be asked. Are we to conceive of cosmopolitanism and the process of European transculturation exclusively as unifying factors, fostering the generation of a shared and uniform transnational identity? Or should we better acknowledge the existence of a whole variety of European transcultural identities, expressed in different writing and audio-visual styles, characteristic narrative models, and place-specific production cultures? Should hybridization and transculturation be assumed as markers and powerful drivers of cultural homologation? Or rather, is the opposite true, namely that cultural hybridization entails\u00a0a growing differentiation of narrative forms and styles, content and formats, thus contributing to the emergence of a post-national assemblage of multiple cosmopolitan identities?<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner custom_padding=”0px||0px|” admin_label=”Riga” _builder_version=”3.5.1″ custom_margin=”0px||0px|”][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\n

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Contributors must propose articles focusing on the post-1989 period in relation to topics involving a consideration of the treatment of space and place.<\/span><\/div>\n<\/div>\n<\/div>\n

Possible topics include, but are not limited to, the following:<\/p>\n

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