[et_pb_section fb_built=”1″ disabled_on=”on|on|” _builder_version=”3.5.1″ custom_margin=”0px|0px|0px|0px” custom_padding=”0px|0px|0px|0px”][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_slider _builder_version=”3.5.1″ header_font=”||||||||” body_font=”||||||||” custom_css_main_element=”max-height: 300px;”][et_pb_slide heading=”Journal articles” use_bg_overlay=”off” use_text_overlay=”on” text_overlay_color=”rgba(219,187,3,0.76)” arrows_custom_color=”#dbbb03″ dot_nav_custom_color=”#dbbb03″ _builder_version=”3.5.1″ header_font=”Trebuchet||||||||” header_text_color=”#000000″ header_font_size=”50px” header_letter_spacing=”1px” header_line_height=”1.1em” body_font=”||||||||” body_text_color=”#000000″ body_font_size=”35px” background_image=”https:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/07\/scrabble.jpg” background_position=”bottom_left” button_on_hover=”on” text_orientation=”left” custom_padding=”60px|0px||” text_shadow_style=”preset1″ custom_css_slide_container=”max-width: 500px;||margin-left: 20px;”][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” custom_padding=”0px|0px|0px|0px” custom_margin=”0px|0px|0px|0px” module_class=”arrows_home” _builder_version=”3.5.1″ background_color=”#000000″][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_image src=”https:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/06\/shape_frecce.png” _builder_version=”3.5.1″ max_width=”63%” custom_margin=”0px||0px|” custom_padding=”0px||0px|”]
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\n[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Journal articles” _builder_version=”3.5.1″ header_font=”Roboto|700|||||||” header_text_align=”center” header_text_color=”#daba09″ header_font_size=”22px” text_orientation=”center” custom_margin=”10px||0px|” custom_padding=”0px||0px|”]
\n[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” module_class=”mobHam” _builder_version=”3.5.1″ background_color=”#dbbb03″][et_pb_fullwidth_menu menu_id=”24″ submenu_direction=”downwards” fullwidth_menu=”on” active_link_color=”#476399″ module_class=”mobHam” _builder_version=”3.5.1″ menu_font=”||||||||” menu_font_size=”16px” background_color=”#dbbb03″ text_orientation=”center”]
\n[\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ custom_margin=”||0px|” custom_padding=”20px||0px|”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ disabled_on=”on|on|” _builder_version=”3.5.1″][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″ text_font=”Roboto Slab||||||||” text_font_size=”28px” header_font=”||||||||” custom_padding=”10px|||”]<\/p>\n
Journal articles<\/span><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Academic outputs” use_icon=”on” font_icon=”%%3%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”52px” disabled_on=”off|off|” admin_label=”Blur desk” _builder_version=”3.5.1″ header_font=”Roboto|700|||||||” header_font_size=”22px” body_font_size=”16px”]Articles and special issues Journal articles<\/span><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb title=”Academic outputs” use_icon=”on” font_icon=”%%3%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”52px” admin_label=”Blur mob” _builder_version=”3.5.1″ header_font=”Roboto|700|||||||” header_font_size=”22px” body_font_size=”16px”]Articles and special issues Scholarly publications will be both in English and in researchers\u2019 native languages. English has for long been the global academic lingua franca, but in order to sustain and preserve the native languages in academia, DETECt will service the multilingual European continent with publications in a wide range of languages. This will also ensure localized dissemination of the DETECt results.<\/p>\n Furthermore, DETECt\u2019s publication strategy will promote the cooperation between\u00a0researchers and stakeholders as well as between\u00a0young and established scholars in the fields of literary media studies alongside the dissemination of research results for learning communities around the European continent. vTo be modified;<\/p>\n [\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”%%45%%” icon_placement=”left” content_max_width=”80%” use_icon_font_size=”on” icon_font_size=”36px” admin_label=”Blur desk” _builder_version=”3.5.1″ body_font=”|600|||||||” animation_style=”slide”]To be modified; [\/et_pb_text][et_pb_blurb title=”Lucie Amir, Laetitia Biscarrat, Alice Jacquelin, %22Impossible Euronoir ? Le polar europ\u00e9en dans sa r\u00e9ception critique fran\u00e7aise%22, in \u00bf Interrogations ?, Number 32 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Lucie Amir, %22Les auteurs ‘f\u00e9tiches’ de Quais du polar : mod\u00e8les policiers au prisme des humanit\u00e9s num\u00e9riques%22, in Rilune. Revue des litt\u00e9ratures europ\u00e9ennes, Number 14, pp. 121-138 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Luca Antoniazzi, Cathrin Bengesser, %22Media-political inroads for Europeanising national cultural pub-lic spheres: EU-level obstacles and national public service perspectives%22, in Critical Studies in International Journal of Cultural Policy (forthcoming).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0<\/b><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Lo\u00efc Artiaga, Matthieu Letourneux, %22\u2018Tu vu\u00f2\u2019 f\u00e0\u2019 l\u2019Americano\u2019. Le filone eurospy et la fabrique d\u2019une identit\u00e9 europ\u00e9enne (1960-1970)%22, in Belph\u00e9gor. Litt\u00e9rature populaire et culture m\u00e9diatique (Forthcoming).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0<\/b><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Maurizio Ascari, Silvia Baroni, Sara Casoli (eds.), Scritture Migranti, Number 15 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0<\/b><\/p>\n Focus: Narrazioni della mobilit\u00e0. La svolta transnazionale e transculturale del poliziesco europeo<\/b><\/p>\n Read the special issue<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Jan Baetens, Fred Truyen (eds.), European Review, Volume 29, Issue 5 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/strong><\/p>\n Focus: Crime Fiction as a Mirror of Europe\u2019s Changing Identities<\/strong><\/p>\n Read the preview of the special issue<\/a>.<\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Luca Barra, Alice Jacquelin, Federico Pagello (eds.), Cin\u00e9ma & Cie. Film and Media Studies Journal, Volume 21, Numbers 36\/37 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/p>\n Focus: Glocal Detectives. Cultural Diversity In European Tv Crime Dramas<\/strong><\/p>\n Read the special issue<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Stefano Baschiera (ed.), Alphaville, Number 22 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0<\/b><\/p>\n Focus:\u00a0On the Cultural Circulation of Contemporary European Crime Cinema<\/b><\/p>\n Read the special issue<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Cathrin Bengesser, Pia Majbritt Jensen, Paola De Rosa, Marica Spalletta, %22Audiences of popular European television crime drama: A 9-country study on consumption patterns, attitudes and drivers of transcultural connection%22, in European Journal of Communication.\u00a0\u00a0” url_new_window=”on” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em” url=” “]<\/p>\n \u00a0Read the preview<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Cathrin Bengesser, Pia Majbritt Jensen, Paola De Rosa, Marica Spalletta, %22Detect\u2019s European Audience Study: Insights into the preferences and passions of European crime viewers%22, in Critical Studies in Television (on line) (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Cathrin Bengesser, Kim Toft Hansen, %22Scandinavian success as European policy dilemma. Creative Europe\u2019s funding for TV drama co-productions, 2014-20%22, in The International Journal of Cultural Policy (forthcoming).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0<\/b><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Massimiliano Coviello, %22L’Europa in una stanza. ‘Criminal’ di George Kay e Jim Field Smith%22, in Fata Morgana Web (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Massimiliano Coviello, %22Berlino 1929. La terza stagione di ‘Babylon Berlin’%22, in Fata Morgana Web (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Massimiliano Coviello, Valentina Re, %22Geografia dei ‘margini’: l\u2019utilizzo delle location periferiche nella serialit\u00e0 Rai di genere crime%22, in L’avventura. International Journal of Italian Film and Media Landscapes, Number 2, pp. 257-278 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the preview<\/a>\u00a0<\/b><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Monica Dall\u2019Asta, Natacha Levet, Federico Pagello (eds.), Academic Quarter | Akademisk kvarter, Number 22 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/strong><\/p>\n Focus: Glocality and Cosmopolitanism in European Crime Narratives<\/strong><\/p>\n <\/strong><\/p>\n \u00a0Read the special issue<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Elena D’Amelio, Valentina Re, %22Neither voiceless nor unbelievable: Women detectives & rape culture in contemporary Italian TV%22, in MAI: Feminism & Visual Culture, Issue 7 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Elena D’Amelio, Valentina Re, %22’Un lavoro inadatto a una donna\u00bb: protagoniste femminili nella serialit\u00e0 crime italiana%22, in Arabeschi, Number 18 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Caius Dobrescu, %22British Public Television Police Drama: an Ordo-Baroque Template for European Complex Governance (with a Case Study of the BBC Meta-Police Series Line of Duty)%22, in European Journal, Volume 29, Issue 5 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Caius Dobrescu, %22The Limit as Centre: Some Considerations on the Political Imagination of the In-Between, Starting from the Central Symbol of the Crime Series Bron\/Broen \u2013 The Bridge%22, in Sapientia Hungarian University of Transylvania, Volume 11, Issue 1 (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Caius Dobrescu, %22Modern Mythologies, Crime Narratives, and Developmental Contradictions: Nordic Noir In the ‘Transylvanian Alps’%22, in Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies, Volume 12, Issue 61, pp. 7-20 (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Roxana Eichel, %22Genre Transgression in Contemporary Romanian Crime Fiction%22, in Acta Sapientiae, Philologica, Volume 11, Issue 1, pp. 21-34 (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/strong><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Katarina Gregersdotter, %22North Actually. The meaning of place%22, in Journal of Northen Studies, Volume 15, Number 1 (2021), pp. 25-36.” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Kim Toft Hansen, %22Netflix Originals and the Nordic Noir Brand%22, in Critical Studies in Television (on line) (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Kim Toft Hansen, %22Nordic Noir from Within and Beyond: Negotiating geopolitical regionalisation through SVoD crime narratives%22, in Nordicom Review, Volume 41, Issue 1, pp. 123-137 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Alice Jacquelin, %22Gen\u00e8se et circulations d\u2019un genre populaire en r\u00e9gime m\u00e9diatique: le cas du Country Noir%22, in Belph\u00e9gor. Litt\u00e9rature populaire et culture m\u00e9diatique, Volume 19, Number 2 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”S\u00e1ndor K\u00e1lai, Anna Keszeg, %22A Nordic Noir. M\u0171fajis\u00e1g \u00e9s m\u00e1rka\u00e9rt\u00e9k \u2013 egy transzmedi\u00e1lis kultur\u00e1lis jelens\u00e9g fogalmi r\u00e9tegei%22, in Metropolis, Volume 2 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”S\u00e1ndor K\u00e1lai, Keszeg Anna, %22A hard-boiled krimi lehet\u0151s\u00e9gei Magyarorsz\u00e1gon%22, in Apert\u00fara (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Anna Keszeg, S\u00e1ndor K\u00e1lai (eds.), Korunt, Number 10 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/p>\n <\/b><\/p>\n \u00a0Read the special issue<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”P\u00e9ter M\u00e9sz\u00e1ros, Dorottya Moln\u00e1r-Kov\u00e1cs, %22Homes of Crimes Social Stratification as Location Strategy in the Hungarian Family Crime Drama Arany\u00e9let \u2018Golden Life\u2019%22, in Acta Universitatis Sapientiae, Philologica, Volume 11, Issue 3, pp. 51-68 (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Jacques Migozzi (eds.), Belph\u00e9gor. Litt\u00e9rature populaire et culture m\u00e9diatique, Volume 19, Number 2 (forthcoming).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/strong><\/p>\n DETECter l\u2019Euronoir<\/strong><\/p>\n <\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Thomas Morsch, Valentina Re (eds.), Journal of European Popular Culture, Volume 12, Number 2 (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n <\/strong><\/p>\n Focus: European Identity in Popular Television Crime Series<\/strong><\/p>\n \u00a0Read the preview of the special issue<\/strong><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Federico Pagello, %22Az eur\u00f3pai v\u00e1ls\u00e1g k\u00e9pei. Populizmus a kort\u00e1rs b\u0171n\u00fcgyi t\u00e9v\u00e9sorozatokban%22, in Metropolis, Volume 2 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Federico Pagello, %22Dal giallo al crime. Glocalismo, transculturalit\u00e0 e transmedialit\u00e0 nel poliziesco italiano contemporaneo%22, in mediAzioni, Number 28, pp. 30-47 (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n \u00a0Read the article<\/b><\/a><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Federico Pagello, %22La postmodernit\u00e0 secondo Netflix. ‘La casa di carta’ di \u00c1lex Pina%22, in Fata Morgana Web (2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Valentina Re, %22Cinema, serie tv ed ‘evasione’. Voci dal mondo della produzione audiovisiva ai tempi dell\u2019emergenza Covid-19%22, in Il lavoro culturale (2020).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Valentina Re, %22Crime s\u00ec, ma \u2018di qualit\u00e0\u2019: sulla circolazione transnazionale del prodotto televisivo%22, Imago. Studi di cinema e media, Volume XI, Number 21 (2020)” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Valentina Re, %22Quo vadis, baby? Le donne e il crime drama%22, in Fata Moragana Web (2019)” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n Read the article<\/a><\/strong><\/p>\n [\/et_pb_blurb][et_pb_text _builder_version=”3.5.1″]<\/p>\n [\/et_pb_text][et_pb_blurb title=”Ilaria Bartolini and Andrea Di Luzio, %22Active E-Learning without Worries!%22, in Proceedings of the Fifth International Conference on Computing Technology and Information Management (ICCTIM 2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]
\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ disabled_on=”||on” _builder_version=”3.5.1″][et_pb_column type=”1_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″ text_font=”Roboto Slab||||||||” text_font_size=”28px” custom_padding=”10px|||”]<\/p>\n
\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″ text_font=”||||||||”]Articles and special issues will be submitted to peer-reviewed, internationally leading journals in order to reach the largest possible academic audience. In this respect, DETECt also privileges open access journals.<\/p>\n
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ background_color=”#dbbb03″ background_image=”https:\/\/www.detect-project.eu\/wp-content\/uploads\/2018\/07\/administration-adults-agreement-1181344.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||0px|” custom_padding=”||0px|” filter_brightness=”120%” filter_contrast=”98%” top_divider_style=”asymmetric2″ top_divider_color=”#ffffff” bottom_divider_style=”arrow2″ bottom_divider_color=”#ffffff” bottom_divider_height=”64px” bottom_divider_flip=”horizontal”][et_pb_row custom_padding=”70px||0px|” custom_margin=”||0px|” _builder_version=”3.5.1″ custom_css_main_element=”min-height: 300px;”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.5.1″ custom_margin=”0px|||” custom_padding=”0px|||”][et_pb_row disabled_on=”on|on|on” _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_blurb use_icon=”on” font_icon=”%%45%%” icon_placement=”left” content_max_width=”80%” use_icon_font_size=”on” icon_font_size=”36px” disabled_on=”on|on|on” admin_label=”Blur desk” _builder_version=”3.5.1″ body_font=”|600|||||||” animation_style=”slide”]<\/p>\n
\n[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”%%45%%” icon_placement=”left” content_max_width=”80%” use_icon_font_size=”on” icon_font_size=”36px” admin_label=”Blur desk” _builder_version=”3.5.1″ body_font=”|600|||||||” animation_style=”slide”]To be modified;
\n[\/et_pb_blurb][et_pb_blurb use_icon=”on” font_icon=”%%45%%” icon_placement=”left” content_max_width=”80%” use_icon_font_size=”on” icon_font_size=”36px” admin_label=”Blur desk” _builder_version=”3.5.1″ body_font=”|600|||||||” animation_style=”slide”]To be modified.
\n[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”3.5.1″][et_pb_column type=”4_4″ _builder_version=”3.0.47″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.5.1″]<\/p>\nJournal Articles<\/h1>\n
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Papers in Proceding Conferences<\/h1>\n
\n[\/et_pb_blurb][et_pb_blurb title=”Ilaria Bartolini and Andrea Di Luzio, %22ALDO: An Innovative Digital Framework for Active E-Learning%22, in Proceedings of the ACM 11th International Conference on Education Technology and Computers (ICETC 2019).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font=”||||||||” body_font_size=”16px” body_line_height=”1.4em”]
\n[\/et_pb_blurb][et_pb_blurb title=”Jan Baetens, Frederik Truyen, Roberta Pireddu, %22Upgrading MOOC Students’ Engagement And Participation In Humanities-Oriented Online Courses: The Example Of The MOOC Based On The Project DETECt%22, in Education and New Developments (2021).” use_icon=”on” font_icon=”%%147%%” icon_placement=”left” content_max_width=”100%” use_icon_font_size=”on” icon_font_size=”50px” _builder_version=”3.5.1″ header_font=”|600|||||||” header_text_color=”#476399″ header_font_size=”20px” body_font_size=”16px” body_line_height=”1.4em”]<\/p>\n